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古代石刻畫最常見的一種只勾線條,刻劃甚淺;拓片上只見大片黑色中浮現許多白線,構成人物鳥獸草木之輪廓;另一種則將人物四周之石挖去,如陽文圖章,在拓片上即看到物象是黑的,具有整個形體,不僅是輪廓了。最後一種與第二種同,但留出之圖像呈半圓而微凸,接近西洋的淺浮雕。武梁祠石刻則是第二種之代表作。 一九五七年三月十八日深夜于北京开心婷婷 人人看 一九五六年七月一日晚七時 人人草色播基地 classic[古典的]一字在古代文法學家筆下是指第一硫的詩人,從字源上說就是從class[等級]衍化出來的,古人說classic[古典的],等于今人說firstclass[頭等];在近代文法學家則是指可以作為典範的作家或作品,因此古代希臘拉丁的文學被稱為classic[古典的]。我們譯為“古典的”,實際即包括“古代的”與“典範的”兩個意思。可是從文藝復興以來,所謂古典的精神、古典的作品,其內容與涵義遠較原義為廣大、具體。茲先引一段CeciIGrav[塞西爾格雷]?批評勃拉姆斯的話︰

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